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In the mid-1890s he created the comic figure Mickey Dugan, known to millions simply as “The Yellow Kid.” Dugan lived in a fictional place called Hogan’s Alley. But his real home was the wildly popular Sunday newspaper comics pages which were first introduced in the 1890s. Yet Outcault, who moved to New York in 1890, would go on to become a newspaper artist and – for better or worse – create one of the most influential images of the Irish in America, reflecting both the negative stereotypes and harsh realities of immigrant life. Richard Felton Outcault was born in 1863 in Lancaster, Ohio, far from the crowded New York slums that housed Irish Famine immigrants and their children. It was a non-Irishman, however, who created one of the most popular “Irish Kid” comic characters of all time. Stretching back to the urchins who yukked it up on the first Sunday funny pages, through radio programs inspired by comic books, right up to longer, darker works like Preacher and The Road to Perdition, Irish comic characters and creators have played a central role in this massively popular art form.
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County Down’s Garth Ennis’ Creations, Preacher, and The Boys. The Boys is based on a comic book series written by County Down-born Garth Ennis, who is also the creative force behind the comic book series Preacher, which has been turned into a celebrated AMC series with the same title, starring Dominic Cooper and Ireland-raised, Academy Award nominee, Ruth Negga.Įnnis has been a successful comics writer for decades, beginning with his late-1980s Northern Ireland series Troubled Souls, a collaboration with Belfast-born artist John McRea.Įnnis and McRea are merely the latest in a long line of Irish and Irish American artists who have left an indelible mark on the comic book industry, which, in many ways, has revolutionized the 21st-century world of entertainment. Later this year, Hollywood funnyman Seth Rogen ( This is 40, Knocked Up) and his regular collaborator, Evan Goldberg, will begin overseeing production of a new Amazon series called The Boys, a kind of next-generation comic-book drama set in a world where superheroes have become so famous they have actually started to abuse their powers. The impact Irish creators and their characters had on the funny, and not-so funny, papers is examined